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Battlefield



Peter Brook

Based on The Mahabharata and the play by Jean-Claude Carrière


Statement of intent

The Mahabharata is not simply a book, nor a great series of books, it is an immense canvas covering all the aspects of human existence. In it we find all the questions of our lives, in a way that is at once contemporary and urgent.

Over many thousands of years the Mahabharata shows us, in an always-unexpected way, how to open our eyes to what reality demands.

The Mahabharata speaks of a great war of extermination, which tears apart the Bharata family. On one side there are 5 brothers, the Pandavas, and on the other side their cousins, the Kauravas, the hundred sons of the blind King Dritarashtra. Both sides use terrible weapons of destruction. At the end the Pandavas win. Millions of dead bodies lie on the ground. And now the eldest of the Pandavas – Yudishtira - is compelled to become King. The victory has the bitter taste of defeat. Both Yudishtira and Dritarashtra, the old King, are in deep distress and remorse, questioning their past actions, trying to unravel their own responsibility for the disaster.

How, having to live with this terrible massacre, having lost their sons, their families, their allies, will the new King and the old one find an inner peace?

The richness of the language of this timeless epic, and its always astonishing stories, allow us to bring to the stage this situation, which, belonging to the past, reflects at the same time the harsh conflicts of today.

Peter Brook
Marie-Helene Estienne

Adapted and directed by: Peter Brook and Marie-Hélène Estienne
Music: Toshi Tsuchitori
Light: Philippe Vialatte
Costume: Oria Puppo
With: Carole Karemera, Jared McNeill, Ery Nzaramba, Sean O’Callaghan, Toshi Tsuchitori

Produced by A C.I.C.T. - Théâtre des Bouffes du Nord production
Co-produced by Attiki Cultural Society / Athens,
Young Vic / London, Les Théâtres de la ville de Luxembourg ; PARCO Co. Ltd / Tokyo ; Grotowski Institute /Wrocław; Singapore Repertory Theater / Singapore; Théâtre de Liège.

"Peter Brook's return to the Mahabharata is breathtaking -
a dazzling piece of theatre"

The Guardian

"An hour of magic realism… it has a gentle power that lingers”

The Times

"Luminous and potent"

The Independent

"Delivered with remarkable grace and deceptive lightness of touch"

Financial Times

"Combines the immediacy of story-telling
with the purity of Greek tragedy"

Sunday Express

"Cool perfectionism"

Arts Desk

"Something profound is felt on the pulse here...
Peter Brook achieves rare magic, and with the slenderest art"

The Telegraph

"A production of stunning beauty"

Le Figaro on Battlefield

“If we go on asking basic questions about what
theatre is for, we have Peter Brook to thank for it.”

Michael Billington in The Guardian, 2015

Attiki Cultural Society
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